“Sod the wine, I want to suck on the writing. This man White is an instinctive writer, bloody rare to find one who actually pulls it off, as in still gets a meaning across with concision. Sharp arbitrage of speed and risk, closest thing I can think of to Cicero’s ‘motus continuum animi.’

Probably takes a drink or two to connect like that: he literally paints his senses on the page.”


DBC Pierre (Vernon God Little, Ludmila’s Broken English, Lights Out In Wonderland ... Winner: Booker prize; Whitbread prize; Bollinger Wodehouse Everyman prize; James Joyce Award from the Literary & Historical Society of University College Dublin)


.

.

.

.

11 December 2016

QUIET AFTERNOON AT SERAFINO

I felt like I'd walked onto a Bob Altman set upon emerging from a long lovely lunch at Serafino Wines in the heart of McLaren Vale on Friday. Dreamland. Maybe I should get into some wedding photography. Joke only. My most likely route to wedding photography would be to try and convince someone to marry me. We'd really met to drink and discuss Grenache and ended up making a brief study of the influence of good grappa when rubbed carefully into the forehead. It's a very beautiful place there on the water.


08 December 2016

LIQUOR IN THE POST TRUTH EPOCH

Post-modern posters posting post-truth posts? Shelvish chaos sure infests liquor lists and walls
by PHILIP WHITE

Lucky to have perched more than most at the bar at the bustling Salopian Inn, I have made a bit of a study of gin chaos. They stock well over 100 gins there, many of them the work of the new wave of hipster or craft distillers.

Of course the intention is not to encourage customers to drink them all. Not at once, anyway. One can be goaded through a tasting of selected types. One even has a choice of craft tonics. But however I look at it, that wall of gin seems chaotic, even threatening. Sinister. A lot of people have a lot to learn about making good gin. Vodka with herbs. Botanicals. Or essences.

Add to this spiritous realm the entire walls of deconstructionist post-truth wines that are blooming malignantly in many cellars, bars and diners, often masquerading as natural, and we begin to see what I was taught to recognise as a mess.

Many wine lists and liquor shelves become as cluttered as old notice boards ... the additions develop their own layers of relativity, reflecting generations of indecision rather than skill ... note the George Grainger Aldridge portraits of the staff here in my beloved Exeter, whose crisp chalkboard wine list is the tidy opposite of these priceless layers of pin-ups

Usually of the belief that most people are too stupid to actually conspire, I nevertheless think it's no accident that the destructive reactionary orange flash of Trump coincided with the advent of orange wine.

"Things fall apart; the center cannot hold ... "

Not to mention the new army of beer-makers. Or producers of beer made largely by other people somewhere else in bigger factories that the nuts-and-berries-pretender-vendor would prefer you to overlook. 

Beers awkwardly flavoured with chocolate, coffee, honey or ginger seem quite faddy this week.

To deal with this fractured market, another army of instant critics foments away on the blogs and gossponds of the cobweb, trumpeting forth, seasoned scholars of the sauce; gooing lugubrious praise on products that didn't exist the day before. Instant provenance. 

Just whip it in.  

I'm guilty, your honour.

Regular readers may recall me suggesting that such chaos was utterly predictable. Once nearly all the beer in Australia began to smell like Carlton United hop essence one could see the unrest fomenting as boutique brewers first tentatively appeared in pubs like Coopers Alehouse, the Lord Nelson, the Port Dock and Matilda Bay in the later 'eighties into the 'nineties.

Liquoristically, beatniks became hippies became yippies became the weather underground. I've yet to see serious Panther activity, which will probably come. That'll be better.

But like the tides, those reactionaries disguised as revolutionaries came and went in their various guises. Now they're tsunamied right up. Fractal chaos!

Sometimes I prefer to gaze upon a simpler, more classically-stacked shelf 
 
Same in the wine world. Submerging the country in very ordinary Chardonnay or lumberjacked gloopy Shiraz for twenty years didn't help much with variety and texture in the marketplace: somebody with a beard was certain to make a break back toward the days when viands actually varied.

One of the first such knights to get errant and loose in the plonk cosmos was one Kevin John Casmir Jacob Donovan Symons, who bought the Auburn Temperance Hall from Rick Robertson in 1982 and filled it with barrels of fortified, largely of a sort of portish variety.

Having previously worked at Golden North Honey Icecream , Symons recommended his customers wander across the road to the Golden North deli so they could blend his marsala with the cool honeyed ice.


This early example of what has become known as 'pairing' opened a window of what the vigneron saw to be opportunity: he began blending flavour essences and whatnot with this fortified grape juice, to be sold in handbag-sized (200mL.) bottles. His chocolate port and blackberry nip were novel enough as far as quirky tinctures went; I drew the line when he claimed to have perfected the steak-and-kidney pie port with some strange essence he'd procured, perhaps from Royce Wells.

I remember making bad tomato sauce jokes. Rosella feathers in the barrels. Unfair to the adventurous Kevin, who was at least having a go.

Thirty-five years later I notice Black Stump Wines setting up over the ridge from Auburn in the Riverton Railway Station, proudly offering a range of flavoured fortified  Rieslings in 375mL. bottles: Riesling Forte Lime Fresco, Lemon Fresco, and Mandarinho, which makes a bit more sense than torturing port 'til its tastes like steak-and-kidney.

Sweet Riesling juice has been fortified to 16.5% alcohol with brandy spirit, flavoured with Riverland citrus and aged for a year on oak before bottling. They're pretty good with ice and soda.

The old pint of hock, lime and lemonade comes to mind.

At least, given their fortified nature, such products offer some reliability and consistency. What deters this critic from recommending many of the craftier spirits, beers and wines is their variability: like bladder packs, artisan batches can change so much there's no guarantee that my reader will get to taste the same product I recommended, if indeed I did.

As for natural wines, the orange people and these neo-Mennonites? I can't for the life of me understand why anybody would make, sell or buy wine with the shelf life of unpasteurised milk.

I mean, like, you wouldn't drink it, would you?

Reminds me of the old Paul Keating joke. How do you make yoghurt? Put a glass of milk on the mantlepiece and get Paul to stare at it for two minutes.

Anyway, talking stability, I reckon I've got that gin wall licked. If I want a genteel, fragrant delight I'll take a shot of The Botanist, that brilliant stuff developed by master malt whisky maker Jim McEwin at Bruichladdich on Islay. Last thing he did before he retired was make a spirit flavoured with local botanicals, just as the ancient whisky-makers produced before they discovered cheap sherry barrels and the flavours changed. 

I prefer it neat, with one small ice block.

Bruichladdich on Loch Indaal on the Rhinns of Islay photo supplied

Well, neat within reason. I dribbled like a goon as I slurped through a bowl of Goolwa Beach pippies with my Botanist at the weekend. Something very Islay about that: the seashore cockles with their mild herby broth seem to meld spiritually with the long list of foraged botanicals that Jim and his crew collect in the nooks and crannies of that windswept isle between Scotland and Eire.

Just don't ever use that 'pairing' word within my earshot: I can't hear it without thinking of toenail clippings.

Which pushes me into the realms of desiring a gin more brusque and brutal to finish the job: something more forceful with some martial rigour to tidy this mess right up: Plymouth Navy Strength will do the trick, thankyou. Neat, with one big ice block and a crisp Navy salute. 

Bacchus only knows how a US Army gin would compare to the British Navy model ... at the risk of pushing the martial rigour too far, spare a thought for poor Thomas Thetcher




SILENCE IS VIOLENCE

a bit of an ink line from another old notepad by Philip White ly

03 December 2016

02 December 2016

HAND ON THE POCKET MAN BY GEORGE


A BRACE OF PALE YOUNG ITALIANS

A prominent fore-runner of today's nationwide trend to Italian varieties and wine types, Professor Brian Freeman quit his wine science post at Charles Sturt University to plant an adventurous but cleverly planned vineyard up in the Hilltops region between Young and Wombat in New South Wales. More than most pioneers, Freeman carefully chose his terroir for its capacity to produce the wine types he'd found and loved in north-east Italy.

I've kept a steady admiring eye on the lovely Freeman reds for some years; it's good now to have two smart whites to relish.

First the Freeman Prosecco 2016 ($23; 11.5% alcohol; cork) is from two clones of this Veneto sparkling variety planted in 2011 at 560 cool metres in the Pinnacle Block of the Altura Vineyard. If this wine's pretty pale straw meadow aromas and delicate waft of honeydew melon oozed from a flute of the sparkling wine made in that part of France they call Champagne you'd be happily paying at least three times this price, so that's a dollop more incentive if this fetching bouquet doesn't suck you in far enough. It's a husky, freckled sort of a blonde. In keeping with that, the wine has a gentle pale flesh, inbuilt deliberately by fermenting half the assemblage in barrels and keeping that wine on yeast lees for regular stirring. So you get comforting texture made more reassuring with a barely-detectable sweetness, delivered in a slightly prickly, petillant fizz that dances right bonnie to a  bagatelle of crunchy almond biscotti. I imagine my Ferrari ticking impatiently outside when I drink this.

A smart follow-up is the sweet, botrytis-riddled Freeman Dolcino 2015 ($25 .500 mL.,  11% alcohol; screw cap) which the Prof urges is best had before, or between meals, with some serious duck liver paté or a terrine. Made from Viognier deliberately unpruned to encourage botrytis strike, it has a prickle all its own in that alluring pickled ginger fragrance. It's fluffy of texture, but that cushion, with its appropriate sweetness, is neatly offset by considerable high-country acidity. So sure, take it with your afternoon paté on toast, even with contrasting crudités or giardiniera, or try it for elevenses with Haigh's ginger chocolates.

It's that time of year ...