“Sod the wine, I want to suck on the writing. This man White is an instinctive writer, bloody rare to find one who actually pulls it off, as in still gets a meaning across with concision. Sharp arbitrage of speed and risk, closest thing I can think of to Cicero’s ‘motus continuum animi.’

Probably takes a drink or two to connect like that: he literally paints his senses on the page.”


DBC Pierre (Vernon God Little, Ludmila’s Broken English, Lights Out In Wonderland ... Winner: Booker prize; Whitbread prize; Bollinger Wodehouse Everyman prize; James Joyce Award from the Literary & Historical Society of University College Dublin)


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04 April 2015

EASTER BUNNY DISMEMBERED IN 1970

Here's my 1970 diary entry for Crucifiction Friday. I was eighteen years old, and all I could see was Vietnam or the can. Gough put an end to that shit. 

I must have got onto the import Workingman's Dead pronto from the Grateful Dead as that quatrain at the bottom is a quote from One Way Or Another from that Workingman's Dead album, which was only released in the USA in February '70. [Correction: It's a quatrain from Casey Jones, the last track on that brilliant, crisp album. "Come round the bend you know it's the end, the fireman screams and the engine just gleams."] 

37 years later, and the '07 diary's a bit more chipper on this Crucifuxion event. Around Easter. It's Gaza/Gallipoli and modern, government-enforced death with a great wine in the middle ... same as always ... disgusted drawings, text and photos by Philip White

 

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